A place to hang out in the single fullrange driver community
You are not logged in.
HI guys
I know that Freddy as done some work with the eminence b102 and created something that resembled a clone of the Zu Druid. I was just wondering if any of you had any success with this driver. I have a chance to buy a used pair of Zu Druids at a big discount and was wondering if they were worth all the hype. I kick myself for not going to the factory in Orem, Utah when I was living there a couple of years ago. I have a pair of afterburners using the beta 12lt and I am very fond of them but I think that I might probably like the Druids also.
Any Thoughts or comments would be useful!!
Thanks
Ron Brady
Last edited by ronbrady (2010-03-11 14:06:57)
Offline
http://www.positive-feedback.com/Issue11/zudruid.htm
They definately got hype ![]()
Offline
zu druid
http://www.soundstage.com/revequip/zucable_druid.htm
http://www.soundstagemagazine.com/measu … ble_druid/
the dip at 150hz, ewwwwwww.
A dbr design does this, good for reducing cone motion.
zu druid mkiv
http://www.6moons.com/audioreviews/zu6/druid.html
http://www.hometheaterhifi.com/show-rep … ;showall=1
same dip 100-200hz.
Then no baffle step, then add low volume listening...................
zu druid credenza
http://www.sixmoons.com/audioreviews/zu11/credenza.html
Offline
that dip didn't appear outdoors on my pipe on speaker-axis (unless the pipe's exit was blocked) - ground plane has a rise around 150
http://www.diyaudio.com/forums/full-ran … ost2111302
Last edited by karlsonkab (2010-03-12 11:05:23)
Offline
The dip (actually two dips) was/were on a very early version. These guyz are always working; I'm sure it bothered them as well. The olde tyme guys in my books will say that a hi-Q narrow notch like that is the least perceivable of sonic faults, but it's still there. I bet they've done things about it. I've talked to them several times (they have one of my amps there for auditioning), and they're for real.
Aloha,
Poinz
AudioTropic
Offline
P.S. I would much like to hear the Druids. I have two clients on them, and both say that they are, um, a little idiosyncratic, but outrageous.
P
Offline
hitsware wrote:
http://www.positive-feedback.com/Issue11/zudruid.htm
They definately got hype
Yup. From a hypethrower who lists "Custom made wooden cable raisers" amongst his standard listening equipment.
Oh boy.
Offline
>From a hypethrower who lists "Custom made wooden cable raisers"
>amongst his standard listening equipment.
Are you telling me you don't use those ?
What do you do ? Let your wires lie on the floor ?
What a minimilist ![]()
Offline
Of course not - you think I´m daft? Fixing them to the wall is the thing. With my (soon to be patented ) adjustable non-feedback wall clamps I make use of the well known fact that electrons have mass. With the amp positioned higher than the speaker, gravity accelerates them and gives you the highly desireable "fast" bass unobtainable with outdated equipment.
One caveat though - careful when using this revolutionary way of improving music reproduction with a subwoofer. The impact of accelerated electrons below 88.223 Hz can, over time, change the crystalline structure of the screws holding the driver, thus causing jitter. You definitely need my new superconductive sub stands, price of which will be made known as soon as the travel agency has calculated the price of my next holiday. Stay tuned.
Pit
Offline
>>> The impact of accelerated electrons below 88.223 Hz can, over time, change the crystalline structure of the screws holding the driver, thus causing jitter.
LOL!
I also like the idea of a Druid clone or something better using the Eminence 10" driver w/wizzer. Rated only out to 4k tho...
Offline
in that form factor you could try Beta 10cx with APT50 (or whatever) and treat the crossover like the Econowave - Eminence raised qts on the new model 10cx but it's surround (and maybe cone) looks improved. Besides sim comparison of old vs new B102 with MJK's sheets, what do you figure would be aural impact of keeping the 1.2 cubic foot pipe with the new B102 or 10cx? - somewhere in my horribly packed audio clutter there's at least one new 10cx.
Offline
You guys hijacked my thread!!!! However I will forgive you because of the humorous nature of the hijacking. I have found that my speakers sound their absolute optimum best when my speaker wires are entwined with a bunch of dust bunnies on the floor behind the speakers and all the way to the amplifier. Every time I go after the dust bunnies with the vacuum cleaner the sound quality of my speakers change. I has to be the dust bunnies. It couldn't be because of the shreeking whine of the vacuum fouling the air in my listening room and burning a hole in my hearing!!! Ok, now back to the B102 questions. Does anyone know why the druid can claim 101db at 1 watt efficiency when the B102 is only around 94db or so. Does removing the dust cap increase the SPL value or are they assembling the Druid driver with tighter tolerances on the gap which seems to me the only way to increase the spl number. The 12 Ohms impedance shouldn't make any difference as long as they adjust the amp output for 1 watt at 12 Ohms. On the B102 spec sheet in the notes section is says to ask about different impedences. Would any other impedance improove the Spl number. Any thoughts?
Ron Brady
Offline
102 seems a bit high. Soundstage's measurements on an early model (looking like early B102) with 12 ohm and 102dB indicate a healthy 98-99 peak at 1Khz and impedance dipping to close to 7 ohms around 350Hz. It's interesting to see off axis plots. That dip might be from their chamber and maybe not a good plate under the speaker's exit. Later Druid have the later B102 surround. Maybe Zu would provide you with the Thiele-Small parameters for their new wideband (?) - or at least an impedance curve of the whole speaker. Soundstage 2002 test: http://www.soundstagemagazine.com/measu … ble_druid/
\
Offline
Freddy
Thanks for the link. It looks like Zu's 101db spec is a bit optemistic. But even at 95 or so it is still more than the published specs for the B102 of 93db. I wonder if eminence is a little conservative with their specs. I recall seeing older specs for the B102 which gave it a better spl number around 98db. I suppose that it really doesnt matter anyway because I lost the chance to buy the Druids but it has created an interest in possibly cloning them. The audio nirvana AN10 has a good looking curve and sensitivity and it has a bigger magnet so it might be a better candidate for a 10incher in a tower design with a regular round port somewhere in the 2.5-3.5 cubic foot enclosure size........ Oh well.
Best wishes
Ron Brady
Offline
AN10 would sure have enough treble and not need any helper tweeter - - in 70 liter reflex tuned to 42Hz it doesn't have a lot of bass but that would probably change with BSC filter and maybe a bit higher tuning as my stamped frame Super10 have fs around 49Hz and Qts ~0.43
here's an outdoor graph but off the ground as I was measuring Bose 901 I that day
to see the backwall stuff - look how hot AN10 is compared to an Advent - it even goes
higher than some tweeters
Last edited by karlsonkab (2010-03-15 18:46:29)
Offline
Freddy----Thanks for the data on the AN10. From your experience does the AN10 have much slam and impact with its smallish VC diameter. Does is do kick drums as well as the eminence B102 as a comparison???
Hitsware
I think we expect an increase or gain in the bass and mid bass region from a properly designed cabinet but I don't think that there is much gain expected in the mids and highs but I may be wrong about that. I was wondering it there is a loss of efficiency by removing the dust cap?? I dont know. It seem to me that if the pole piece is vented that a little bit of leakage from front to rear should reduce the spl value a little bit at the lower frequencies---just a thought.
Thanks for your comments.
Ron Brady
Offline
at ~42Hz Fb, AN10 in my 70 liter reflex is tuned too low to have much impact. My 1954 RJ with EV SP15 kills it on bass dynamics. That said, I would expect David Dick's tuning to do better for impact and impact can improve as balance is restored with moving speakers closer to boundaries, eq on bottom, or BSC filter. AN10 in my 15" Karlson with 30.5 sq. in. port has pretty good impact and the two rear chamber impedance peaks are close in amplitude height and no need for BSC. It probably would be a bit better with the original 40sq.in. vent.
Earthworks has a drum demo cd for their microphones - its pretty useless for judging real music as only one drum or cymbal is struck at a time. Real pop/jazz music grooves can get busy on drums and introduce a lot of modulation. - - -anyhow, Earthworks' kickdrum on the reflex caused AN10 deflection of about 1/2" peak to peak - on the Karlson it was about 1/8" peak to peak. Being back in the Karlson cavity plus the Karlson's rain from 60-~200, the Karlson has a darker presentation than the reflex. Maybe a simple BSC filter on an AN10 reflex would be suitable for most listeners. AN10 in reflex had a lively sound on Hammond organ midrange.
Since Druid looks very nice you might make some sort of MLTL with similar frontal aspect and an adjustable floor vent up on spikes. You might ask GM or Scottmoose over at DIYAUDIO's fullrange forum to cook up a MLTL. btw - I bought a pair of 8" Tang band 1772 but not felt well enough to play with that driver other than run briefly in BK20 blh - it seemed nice.
The Karlson has more output with AN10 than the reflex and the Karlson also has much less cone excursion. The high frequencies are pretty much the same in amplitude but the mic perspective in this graph had the mic below the 30 degree baffle tilt lobe. Fb is probably higher on the K but at the same time I think a nearcone plot of the cone would show a null lower than on the reflex - if that makes sense. I suspect the 1952 spec 40sq. inch port in the Karlson might make the response at 200Hz a bit higher than this 30.5 sq.in. port. (?)
Last edited by karlsonkab (2010-03-16 14:26:30)
Offline
Hi Freddy
Wow! I am always impressed with the graphs you have created. It takes a lot of time to make an adapter to get a driver to fit an enclosure and then set up the experiment to make the measurements. Thanks. It appears that the Karlson cabinet produces 3-4db more bass than the reflex design and with the declining spl
as the frequency rises would make them sound a bit dark. But it looks like the Karlson design should work almost perfectly with many fullrangers which naturally have a rising response with rising frequency. Even though the Karlson produces more bass spl, is it of better quality than the bass reflex design? Or is it a bit Phasy sounding like an open baffle would sound???
Freddy--I hope you get to feeling better soon----spring is here now so you will soon be able to open the windows and enjoy the warm days and all of your snow will melt away.
Best wishes
Ron Brady
Offline
thanks for the good thoughts - opening windows isn't good in my neighborhood - there's two folks (likely contractors) who burn toxic stuff within a half-one block radius and the kid next door made a fire pit.....
Offline
I made simulations with MJK sheets some time ago and what works best are drivers with very low Qts and pipe length = quarter wavelenght of the driver's Fs.
Here is an expample of a druid-suitable driver:
http://www.ciare.com/pdf/catalogo/PM250.PDF
You see 100 dB is realistic.
Offline
Yeah, but "Where's the Bass ? "
A 1/4 wave of the 66hz Fs means this driver isn't going to deliver very much in the bass department.
.............................Blake
Offline
that was a nice sim - whether Zu had fs put higher than stock early B102 - we don't know - their 10 superfically looked like both stock B102 . Only decent 10 woofer in my pile are 10G200 with 4.5mm overhang and 16.9 BL spec - fs might be a bit too low. At any rate that Ciare should be a fun driver.
Last edited by karlsonkab (2010-03-29 13:21:24)
Offline
There was a horn concept by Cantare which used a Ciare bullet tweeter. Probably without lowpass filter for the PM250.
Last edited by el`Ol (2010-03-29 14:26:37)
Offline